
Élise Moreau
I have always been drawn to emptiness—not absence, but the kind of silence that hums. This metro station was full of light but void of people. The lights did not flicker. The train did not come. Only reflections. Only electricity running with nowhere to go. I stood at the edge of the platform, not to leave, but to witness the moment a city pauses its breath. The loneliness here wasn’t cold. It was structured. Designed. And I wanted to paint it as it was: bright, vast, and completely still.
75 x 100 cm
Élise Moreau
Kazuo Takanashi
I do not remember the movement that made this. I only remember the breath before it, and the silence after. The ink did not fall. It leapt. This shape is not a gesture—it is what remains after one. It is the evidence of decision, not the decision itself. There are no corrections here. Only permission.
60 x 90 cm
Kazuo Takanashi
Élise Moreau
It was morning, but I hadn’t opened the curtains. I lit two candles instead—silent, flickering witnesses to the sleeping city outside. The fog had drawn its curtain too, but left just enough space for the Eiffel Tower to appear like a memory refusing to disappear. There was no music. Just the sound of wax softening, and of light moving carefully across the table. I painted what I could not speak: that feeling of being held by quiet, and watched by something far older than monuments.
100 x 60 cm
Élise Moreau
Chiara Bellini
This portrait was born from the silence between glances — that fragile moment where dignity meets vulnerability. I wanted to explore the timeless elegance of the baroque through a contemporary lens, capturing not just beauty, but presence.
60 x 80 cm
Chiara Bellini
Aliya Khan
This painting captures the quiet erasure of women in domestic life—not through violence, but through a thousand small silences. Reclining in the safety of her home, the figure blends into the textures of her surroundings until only the suggestion of a body remains. The comfort becomes a veil.
60 x 90 cm
Aliya Khan

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